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Oberlin Conservatory: Maggie Nicholas, soprano #seniorrecital interview, Part 1

oberlinconservatory:

image

What makes your #seniorrecital special?

I’ll be performing two pieces by Tchaikovsky in Russian; they’re rarely done in recital here but they’re so heartfelt and beautiful. Also, the second half of the recital consists of pieces from Aaron Copland’s 12 Poems of Emily Dickinson which…

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coffeewithclarence:

Hi Everyone !
I’d like to invite you to my studio this Friday 17th between 5:30pm and 7pm. Please come by whenever you can before Art Walk. I will be showing work made this year with assistance from the Grant in Aid program at Oberlin College. My studio is in an industrial looking building near the intersection of E. Lorain St and Park St. 
Best
Graham

   Open Studio   

   Friday 17th   

   5:30 - 7pm  

   162 E Lorain St, Oberlin, OH  

coffeewithclarence:

Hi Everyone !

I’d like to invite you to my studio this Friday 17th between 5:30pm and 7pm. Please come by whenever you can before Art Walk. I will be showing work made this year with assistance from the Grant in Aid program at Oberlin College. My studio is in an industrial looking building near the intersection of E. Lorain St and Park St. 
Best
Graham
   Open Studio   
   Friday 17th   
   5:30 - 7pm  

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amamblog:

This work is featured in our current exhibition, Illuminating Faith in the Russian Old Believer Tradition, on view through July 31.
The account of St. John the Baptist’s descent into Hell after his beheading derives from apocryphal literature and carries a particular apocalyptic inflection for Old Believers, who consider the end of time to be near. In Hell, St. John the Baptist, also known as St. John the Precursor in Eastern Orthodoxy, meets the patriarchs and prophets from the Old Testament to announce those souls that Christ would take away during the Second Coming. The artist has portrayed St. John with wings, an indication of his multi-layered sanctity as angel, apostle, and martyr.
Image:Russian, late 18th–early 19th centuryDescent of St. John the Baptist into HellInk and color on paperGift of Frederick Binkerd Artz, 1958.32H 

amamblog:

This work is featured in our current exhibition, Illuminating Faith in the Russian Old Believer Tradition, on view through July 31.

The account of St. John the Baptist’s descent into Hell after his beheading derives from apocryphal literature and carries a particular apocalyptic inflection for Old Believers, who consider the end of time to be near. In Hell, St. John the Baptist, also known as St. John the Precursor in Eastern Orthodoxy, meets the patriarchs and prophets from the Old Testament to announce those souls that Christ would take away during the Second Coming. The artist has portrayed St. John with wings, an indication of his multi-layered sanctity as angel, apostle, and martyr.


Image:
Russian, late 18th–early 19th century
Descent of St. John the Baptist into Hell
Ink and color on paper
Gift of Frederick Binkerd Artz, 1958.32H 

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amamblog:

As part of a recent Kress Foundation Digital Resources planning grant, the AMAM and the Oberlin College Library teamed up to provide high-quality scans of all available Allen Memorial Art Museum Bulletins. The Bulletin is a series of scholarly journals published by the Museum since 1944 which contain articles related to exhibitions and works in the collection. A valuable resource for faculty, students, staff, and scholars around the world, these Bulletins provide a wealth of information on collection works, often dating back to when a piece was first acquired by the AMAM. 

To browse the complete selection of scans, click here to visit the Oberlin College Digitial Resource Commons page.

(via oberlin-alumni)

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oberlincollegearchivesstudents:

Perhaps the most visually stimulating record of student life on campus is our poster collection. These student-made posters tell us a lot – they give us not only an idea of past events on campus, some of which would otherwise go undocumented, but they reveal the culture and visual aesthetic of Oberlin students at a given point in time.

Our most recent accession, a collection of 34 silkscreened event posters gifted by Raphael Martin ‘02, does exactly that.  During his four years at Oberlin, from 1998 to 2002, Martin collected these posters, most of which were silkscreened by students of Prof. John Pearson. They present a wide range of visual styles and advertise dances, concerts, art openings, parties, film screenings, speakers, and Oberlin’s Big Parade. Only a few duplicate posters already in our collections; together they represent an important cross-section of posters from the turn of the millennium.

I think the “Scotographs” poster is a particularly cool one. The word itself, popping against the blue, leads my eye back in space towards the guitar, which seems to be exploding riffs outwards through the stripes. The whole poster has a loud, screaming sound to it, and if I saw this poster today hanging in the Mudd stairwell today, I’d definitely go check these photos out.

-James

(top photo courtesy of Raphael Martin ‘02)

(via oberlin-alumni)

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